Opto-electronic hurdy-gurdy
Derek Holzer creates noise-making contraption using a hurdy-gurdy like object attached to some painful electronic circuitry. Don’t think this is going to catch on. Very arty though.
French 1780’s hurdy-gurdy from the V&A collection. More here.
Interesting short video on an organistrum by Pep Massana and Ramon Elias. It shows a new organistrum system can plays 20 strings with 44 notes.
Hurdy-gurdy gets modern…
Part 5 of a series demonstrating a unique hurdy gurdy, the “Aachen”, and explaining its properties. This instrument has been developed and made according as a medieval type hurdy gurdy by Chris Allen and Sabina Kormylo. This part focuses on the repetoir, range and available accidentals.
Part 4 of a series demonstrating this unique hurdy gurdy, the “Aachen”, and explaining its properties. This part looks at the string layout for modal music. This instrument has been developed and made as a medieval type hurdy gurdy by Chris Allen and Sabina Kormylo.
Part 3 of a series demonstrating a unique hurdy gurdy, the “Aachen”, and explaining its properties. This instrument has been developed and made in the style of a medieval type hurdy gurdy by Chris Allen and Sabina Kormylo.
Part 1 of a series demonstrating a unique hurdy gurdy, the “Aachen”, and explaining its properties. This instrument has been developed and made in a medieval style by Chris Allen and Sabina Kormylo.
Documentary piece on Donald Heller - the hurdy-gurdy man of Boston.
Interview with French hurdy-gurdy player, Alexis Vacher for French channel BIP TV. From the Printemps de Bourges festival, April 2012.
Vintage Nigel Eaton interview on ‘Take It To The Bridge’ on VH-1, from 1995, talking about the Page Plant tour, and performing ‘Laride’.
Nice photo-diary of the making of a hurdy-gurdy for a school project, with the music of the finished instrument playing in the background. Very impressive.
Altarwind introduces harmony keys

Altarwind Music, Oregon-based maker of hurdy-gurdies, has announced that it is now offering a third-row of keys on many of its instruments to allow the playing of harmonies. This is a feature that was pioneered by British maker Chris Eaton and which appears to have inspired Altarwind’s design.